Jack and Sally Autumn it’s the most wonderful time of the year shirt
Throughout the weekend, Julia wore a 1890 convertible diamond sunburst barrette-brooch. “Because of the barrette/brooch convertibility, I was inspired to use it as a tiara in the same hairstyle as Audrey Hepburn in My Fair Lady,” she says. “I took it to our trusted New York jeweler, who sourced and created my Zambian emerald and diamond engagement ring and matching earrings I wore for the ceremony.” Hair stylist Joseph Maine executed the look. “It was uncanny with a few modern edits,” the bride says. “He helped assemble the tiara and secure it to the crown of my hair. He said he lay awake visualizing the architecture of it the evening before.”
While guests waiting for the 11 a.m. ceremony to start, tea and coffee was served at Jacques Bar as the wedding party, sans bride and father of bride, assembled in The Club Room. The dress code called for a morning coat or lounge suit. The couple’s friend and concert pianist Jacek Mysinski played Rachmaninoff Piano Concerto No 2, Second Movement to set the mood. It was a throwback to one of their first dates at the Philharmonic and also the music that was playing in the background when Seth proposed. “It has almost become a theme to our relationship,” Julia says. “We wanted our guests to be a part of a memorable performance: a salon style music gathering in a lovely space.” During the ceremony, both mothers gave readings and then the couple recited the traditional vows and exchanged rings before recessing back down the aisle to Edith Piaf’s original 1950s recording of Hyme à L’Amour. “I felt an incredible sense of peace and pride,” Julia remembers. “We were both incredibly happy.”
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